On the verge of the lake, he stands alone
without speaking or moving,
his emaciated frame lost amid gorse bushes,
their needles tipped with yellow buds,
spines hooking onto his baggy brown coat.
The landscape recedes, each mountain
like the stony back of a sea monster
in hibernation. Ashen clouds slide over
the weakening sun, their shadows
dancing across the rock face.
A Westerly wind sweeps the skin of water
and licks his ruddy face, forcing him to shut both eyes.
As sudden raindrops ping off his coat
he slowly backtracks home, following dirt tracks
flanked with overgrown heather
to the cabin, log fire, beer, bong, banjo,
faded olive couch with deer hide blankets,
and a loaded shotgun propped up beside the door.
Winner of the Foyle Young Poets of the Year Award 2012
Jealous of the Birds is the solo project of hotly tipped Irish songwriter and multi-instrumentalist Naomi Hamilton. Her debut album Parma Violets, due out in April, matches introspective indie-folk with fiery post-punk. Beautifully crafted songs have been given contrasting arrangements, veering from stripped-down acoustic guitar to full-band indie-rock anthems, all overlaid by Naomi’s compelling layered vocals. Equal parts light and shade, the songs are poignant and vulnerable, bursting with honesty and raw passion.
Hailing from County Armagh in Northern Ireland, Jealous of the Birds emerged from the vibrant suburban folk scene, alongside acts such as Ciaran Lavery and No Oil Paintings. Naomi quietly unleashed her debut EP Capricorn in March 2015, where her wonderfully understated bedroom indie-folk won her an ever-growing legion of support. The entire EP is a stunning lo-fi collection of tunes recalling Girlpool, Karen Dalton, Cat Power, Laura Marling and even The Moldy Peaches at times. Describing her music she has said; “My only hope is that the songs sound like a real friend talking.”